[268].T. E. Mommsen, Petrarch’s Testament (Ithaca, NY, 1957), pp.78——81.
[269].Hans Belting, ‘The new role of narrative in public painting of the Trecento: Historia and allegory’, Studies in the History of Art, vol. 16 (Washington, BC, 1985), pp.151——168.
[270].Giorgio Vasari, The Lives of the Painters, Sculptors and Architects (London, 1965), pp.75——81.
[271].Theodor E. Mommsen, ‘Petrarch and the decoration of the Sala Virorum Illustrium in Padua’, The Art Bulletin, vol. 34, no. 2, June 1952, pp.95——116.
